By vividly recounting enslaved life through the experiences of individual women and illuminating their conditions of confinement through the legal, sexual, and representational power wielded by slave owners, colonial authorities, and the archive, Fuentes challenges the way we write histories of vulnerable and often invisible subjects. Marisa Fuentess compelling study of womens lives in and around Bridgetown leaves the reader with a clear sense of who these women were and how they navigated the terrain of a Caribbean slave society. In the process, Fuentes interrogates the archive and its historical production to expose the ongoing effects of white colonial power that constrain what can be known about these women.Ĭombining fragmentary sources with interdisciplinary methodologies that include black feminist theory and critical studies of history and slavery, Dispossessed Lives demonstrates how the construction of the archive marked enslaved women's bodies, in life and in death. Reviews ' Dispossessed Lives exemplifies the best new historical scholarship on slavery and gender. Fuentes takes us through the streets of Bridgetown with an enslaved runaway inside a brothel run by a freed woman of color in the midst of a white urban household in sexual chaos to the gallows where enslaved people were executed and within violent scenes of enslaved women's punishments. Fuentes creates a portrait of urban Caribbean slavery in this colonial town from the perspective of these women whose stories appear only briefly in historical records. In the eighteenth century, Bridgetown, Barbados, was heavily populated by both enslaved and free women.
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